The Gion Festival (Gion Matsuri) is one of the most famous festivals in Japan. It takes place annually in Kyoto. As the people were suffering from the plague and pestilence, it is said that this festival took place since 869 to avoid those diseases. In the hot and humid summer in Kyoto, there are parades with several traditional floats by many voluntary staff from the local people and foreigners who are living in Kyoto. During this year, on the 17th July, nine exchange students from Doshisha University participated in this festival. They walked around the city for six hours in the burning hot summer. Those students consisted of three students from Europe, three students from the US, one student from Asia and two students who participated in this program last year and came back to Japan for this event again this year. I would like to present the comments of one of the students who participated in this Gion Festival this year as follows:
“I have two words of advice for any one planning to participate in the Gion Matsuri: wear sunscreen. Especially on your feet. Also, if at all possible, avoid having said feet be large enough to cause your entire heel to extend beyond the bottom of the traditional sandals and onto the burning hot pavement as you walk around the city for 6 hours.
Apart from those minor inconveniences, though, the Gion Matsuri was an amazing experience, although not quite in the way I had expected. From reading the descriptions of past participants on Doshisha’s web site and allowing my over-excited imagination to run away with itself, I had this image in my mind of being enveloped in a cocoon of camaraderie with the other 40 pullers of the Minami Kannon Yama as we ran along tugging mightily at our float, collapsing at the end in an exhausted but satisfied pool of sweat and brotherhood. It was true that there were times when the pulling was a bit of a strain, and it was cool getting to meet some of the other exchange students and Japanese locals pulling the float along, but to be honest the most exhausting thing was just being out walking in the beating sun for such a long time with a lot of standing around waiting in between bouts of pulling, and after a few hours I had had my fill of small talk.
Many of the past accounts also mentioned how they felt that the experience allowed them to feel their connection with the Kyoto of years gone by, but to me the most important part of the Gion Matsuri seems to lie not in preserving the past but in strengthening the present. The ridiculous ritual of pulling giant unwieldy floats in a huge circle through the city seems to have very little, if any, of whatever religious meaning it once had. To me, it just seems like an excuse to bring the community out into the streets and for them to bond together (although I wouldn’t be surprised if that community-building aspect of it was the real driving force even back in 869 when it first began). To be able to experience that from within, to hear the shouts of school children as they cheered us on from their classroom window or see the blissful, toothless smile of an old woman as she and her family cheered us down the home stretch from the second floor of their traditional machiya house, was a unique and powerful experience that I will never forget. Not only did I get to see the Kyoto community grow closer to one another, but by helping in this ancient but vibrant ritual, I felt welcomed into that community as one of their own. 俺は京都人や!” (アーモストフェロー Patrick Savage from Doshisha University)
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